02846nam a2200409 a 4500001001400000003000400014008003100018020001800049020001800067039006600085041000800151099001000159100003600169245016600205260003600371300001100407505004100418505007600459505009200535505008300627505013900710505011100849505007600960505011501036505009001151505007801241505012801319505005601447505013101503505008701634505010801721505005901829505045401888856007002342942000702412999001702419vtls000078639MTX180612             001 0 eng d  a9781409445456  a9781409445463 9a201806121055bstaffc201607151121dstaffy201605041217zadmin0 aeng  aEbook1 aDoğantan-Dack, Mine..911420100aArtistic practice as research in musich[electronic resource] :btheory, criticism, practice (SEMPRE studies in the psychology of music)/cDoğantan-Dack, Mine.  bAshgate Publishing Ltd.,c2015.  a283 p.0 gChapter, Lesson, ParttIntroduction.0 gChapter, Lesson, ParttPart I: Institutional and Critical Perspectives.0 gChapter, Lesson, ParttChapter 1: Performing Research: Some Institutional Perspectives.0 gChapter, Lesson, ParttChapter 2: Practising Research, Playing with Knowledge.0 gChapter, Lesson, ParttChapter 3: Artistic Research and Music Scholarship: Musings and Models from a Continental European Perspective.0 gChapter, Lesson, ParttChapter 4: Determination and Negotiation in Artistic Practice as Research in Music.0 gChapter, Lesson, ParttPart II: Disciplinary and Methodological Issues.0 gChapter, Lesson, ParttChapter 5: Practice-based Music Research: Lessons from a Researcher's Personal History.0 gChapter, Lesson, ParttChapter 6: Following Performance across the Research Frontier.0 gChapter, Lesson, ParttChapter 7: The (F)utility of Performance Analysis.0 gChapter, Lesson, ParttChapter 8: Imaginary Workscapes: Creative Practice and Research through Electroacoustic Composition.0 gChapter, Lesson, ParttPart III: Specific Projects.0 gChapter, Lesson, ParttChapter 9: The Role of the Musical Instrument in Performance as Research: The Piano as a Research Tool.0 gChapter, Lesson, ParttChapter 10: Creating New Music for a Redesigned Instrument.0 gChapter, Lesson, ParttChapter 11: Improvisations Towards an Origin: The Steel Cello and the Bow Chime.0 gChapter, Lesson, ParttChapter 12: FLAT TIME/sounding.0 aCover, Title,Artistic practice as research in music: theory, criticism, practice (SEMPRE studies in the psychology of music)--Preface, Introduction, TOC,Contents--Preface, Introduction, TOC,List of Figures and Table--Preface, Introduction, TOC,List of Music Examples--Preface, Introduction, TOC,Notes on Contributors--Preface, Introduction, TOC,Series Editors' Preface--Preface, Introduction, TOC,Acknowledgements--References, Appendix, Index,Index.40uhttp://portal.igpublish.com/iglibrary/search/ASHGATEB0004730.html  c10  c75203d75203