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_bstaff
_y201605041236
_zadmin
041 0 _aeng
099 _aEbook
100 1 _aLane, Jeremy F...
_9117657
245 _aJazz and machine-age imperialism:
_bmusic, "race," and intellectuals in France, 1918-1945/
_h[electronic resource] /
_cJeremy F. Lane.
260 _bUniversity of Michigan Press,
_c2013.
300 _a237 p.
505 0 _gChapter, Lesson, Part
_tIntroduction.
505 0 _gChapter, Lesson, Part
_t1. Between 'the Virgin Forest and Modernism' : Techno-Primitive Hybrids in the Work of Andre Schaeffner and Robert Goffin.
505 0 _gChapter, Lesson, Part
_t2. Armstrong's 'Bitter Laughter' : Jazz, Gender, and Racial Politics in Leon-Gontran Damas's Pigments (1937).
505 0 _gChapter, Lesson, Part
_t3. Jazz as Antidote to the Machine Age: From Hugues Panassie to Leopold Sedar Senghor.
505 0 _gChapter, Lesson, Part
_t4. 'And What If Jazz Were French . . . ?' : Postcolonial Melancholy and Myths of French Louisiana in Vichy-Era France.
505 0 _gChapter, Lesson, Part
_t5. 'Marvellous' Ellington: Rene Menil, Jazz, Surrealism, and Creole Identity in Wartime Martinique.
505 0 _aCover, Title,Jazz and machine-age imperialism: music, "race," and intellectuals in France, 1918-1945--Preface, Introduction, TOC,Acknowledgments--Preface, Introduction, TOC,Contents--References, Appendix, Index,Coda: Jazz After Empire--References, Appendix, Index,Notes--References, Appendix, Index,Bibliography--References, Appendix, Index,Index.
650 0 _aMusic
_919694
650 0 _aGenres & Styles
_9117658
650 0 _aJazz, History
_9117659
650 0 _aEurope
_933756
650 0 _aFrance
_942507
856 4 0 _uhttp://portal.igpublish.com/iglibrary/search/UMICHB0000707.html
942 _c10
999 _c76588
_d76588