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| 001 | vtls000080039 | ||
| 003 | MTX | ||
| 008 | 160715 001 0 eng d | ||
| 020 | _a9780472118816 | ||
| 020 | _a9780472029228 | ||
| 039 | 9 |
_a201607151124 _bstaff _y201605041236 _zadmin |
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| 041 | 0 | _aeng | |
| 099 | _aEbook | ||
| 100 | 1 |
_aLane, Jeremy F... _9117657 |
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| 245 |
_aJazz and machine-age imperialism: _bmusic, "race," and intellectuals in France, 1918-1945/ _h[electronic resource] / _cJeremy F. Lane. |
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| 260 |
_bUniversity of Michigan Press, _c2013. |
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| 300 | _a237 p. | ||
| 505 | 0 |
_gChapter, Lesson, Part _tIntroduction. |
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| 505 | 0 |
_gChapter, Lesson, Part _t1. Between 'the Virgin Forest and Modernism' : Techno-Primitive Hybrids in the Work of Andre Schaeffner and Robert Goffin. |
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| 505 | 0 |
_gChapter, Lesson, Part _t2. Armstrong's 'Bitter Laughter' : Jazz, Gender, and Racial Politics in Leon-Gontran Damas's Pigments (1937). |
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| 505 | 0 |
_gChapter, Lesson, Part _t3. Jazz as Antidote to the Machine Age: From Hugues Panassie to Leopold Sedar Senghor. |
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| 505 | 0 |
_gChapter, Lesson, Part _t4. 'And What If Jazz Were French . . . ?' : Postcolonial Melancholy and Myths of French Louisiana in Vichy-Era France. |
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| 505 | 0 |
_gChapter, Lesson, Part _t5. 'Marvellous' Ellington: Rene Menil, Jazz, Surrealism, and Creole Identity in Wartime Martinique. |
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| 505 | 0 | _aCover, Title,Jazz and machine-age imperialism: music, "race," and intellectuals in France, 1918-1945--Preface, Introduction, TOC,Acknowledgments--Preface, Introduction, TOC,Contents--References, Appendix, Index,Coda: Jazz After Empire--References, Appendix, Index,Notes--References, Appendix, Index,Bibliography--References, Appendix, Index,Index. | |
| 650 | 0 |
_aMusic _919694 |
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| 650 | 0 |
_aGenres & Styles _9117658 |
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| 650 | 0 |
_aJazz, History _9117659 |
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| 650 | 0 |
_aEurope _933756 |
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| 650 | 0 |
_aFrance _942507 |
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| 856 | 4 | 0 | _uhttp://portal.igpublish.com/iglibrary/search/UMICHB0000707.html |
| 942 | _c10 | ||
| 999 |
_c76588 _d76588 |
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